Boris Godunov Tickets

Boris Godunov Opera Tickets

Experience the wonders of the opera with Boris Godunov tickets. Modeste Mussorgsky's Boris Godunov was written in Saint Petersburg, Russia. It is the composer's only fully finished work and it was published in 1831. The Russian libretto storyline revolves around Russian Tsar Boris Godunov and his nemesis dubbed the False Dmitriy. It was inspired by Aleksandr Pushkin’s 1825 play of the same name and performed for the first time in 1874 in Saint Petersburg. It proved to be popular early and was presented 21 times before the composer’s passing in 1881.

The work was first put on paper by Mussorgsky who then wrote two different versions for it: one complete original version which was rejected by the Imperial Theatres and the revised edition. Both are performed interchangeably or are cut and conflated by modern composers. Nikolay Rimsky-Korsakov and Dmitri Shostakovich released their own revisions as well.

Learn a piece of history with Boris Godunov tickets. Even at the expense of some artistic and dramatic deficiencies, Boris Godunov was in a superior position to any other Russian opera during the 1980s, even Tchaikovsky's Eugene Onegin, and is now the most recorded.

How much are Boris Godunov tickets?

Boris Godunov opera ticket prices will vary depending on which section your seats are located. On average, you can expect to payaroun $215 a ticket, but prepare to pay as high as $489 if you want a premium seat close to the stage.

Are Boris Godunov tickets still available?

Boris Godunov tickets are not available at this time. We will post tickets to all upcoming performances once an updated schedule is released.

When is Boris Godunov performing?

The date for the next Boris Godunov performance has not been announced. Explore other upcoming opera performances near you.

How long is Boris Godunov?

Most live Boris Godunov productions are around 2.5 to 3.5 hours long, with one or two intermissions between acts.

What are the best seats to see Boris Godunov live?

Opera seating choices rely on both financial capabilities and personal viewing preferences. Audience members should choose mid-to-front rows in the center orchestra for the ideal sound and view combination but those who want a grand panoramic perspective should opt for seats in the front mezzanine or balcony. People should choose seats in the middle orchestra or mezzanine for the best acoustic experience because opera houses have sound systems that transmit sound efficiently to these areas. The rear orchestra and balcony sections offer affordable seating choices at the expense of slightly reduced sound quality.